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Over the course of 14 years, she developed her skills for official court portraiture as well as more intimate portraits of nobility.
Download Parlour Games And The Public Life Of Women In Renaissance Italy 2013
Her paintings are known for capturing the spirit and vibrance of her sitters and can now be found in collections around the world. Photo: Public domain via Wikipedia.
As the daughter of an accomplished painter, Artemisia Gentileschi was afforded access to the art world at a young age. As a noted painter of the Italian Baroque period, Artemisia Gentileschi did not let her gender hold her back from her subject matter. She painted large-scale Biblical and mythological paintings, just like her male counterparts and was the first woman accepted to the prestigious Fine Art Academy in Florence.
However, her talent is undeniable and she continues to be recognized for her realistic depiction of the female form, the depth of her colors, and her striking use of light and shadow. Typical of Dutch artists during this period, Leyster specialized in genre paintings, still life , and portraits. She later ran a successful workshop with several male apprentices and was known for the relaxed, informal nature of her portraits. While she was quite successful during her lifetime, her reputation suffered after her death due to unfortunate circumstances.
Her entire oeuvre was passed off as work either by her contemporary Frans Hals or by her husband.
Encyclopedia of Women in the Renaissance: Italy, France, and England - PDF Free Download
As the daughter of a painter, she received early instruction from her father and was painting portraits professionally by the time she was a teenager. Her paintings bridge the gap between the theatrical Rococo style and more restrained Neoclassical period. She enjoyed continued success in her career, even while in exile after the French Revolution, as she was a favorite painter of the aristocracy across Europe.
Sitters enjoyed her ability to put them at ease, which led to portrait paintings that were lively and lacking stiffness. The natural, relaxed manner of her portraits was considered revolutionary at a time when portraiture often called for formal depictions of the upper classes.
The French Realist painter is considered one of the most famous female artists of the 19th century, known for her large-format paintings that featured animals. She exhibited regularly at the acclaimed Paris salon and found success abroad in both the United States and Britain. Bonheur spent a great amount of time sketching live animals in motion, accounting for her remarkable ability to capture their likeness on canvas.
Bonheur is also celebrated for breaking gender stereotypes. Though she was often criticized for wearing trousers and loose blouses, she continued to don them throughout her life, citing their practicality when working with animals. By living her life openly in an era when lesbianism was disparaged by the government, Bonheur staked her claim as a groundbreaking individual both in her career and her personal life. Download Now. For Later. Jump to Page.
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E-mail deze pagina. Bekijk video. Auteur: George W. Uitgever: University Of Toronto Press. Samenvatting Confined by behavioural norms and professional restrictions, women in Renaissance Italy found a welcome escape in an alternative world of play.
This book examines the role of games of wit in the social and cultural experience of patrician women from the early sixteenth to the early eighteenth century. Beneath the frivolous exterior of such games as occasions for idle banter, flirtation, and seduction, there often lay a lively contest for power and agency, and the opportunity for conventional women to demonstrate their intellect, to achieve a public identity, and even to model new behaviour and institutions in the non-ludic world.
By tapping into the records and cultural artifacts of these games, George McClure recovers a realm of female fame that has largely escaped the notice of modern historians, and in so doing, reveals a cohort of spirited, intellectual women outside of the courts.